TANJA VIĆENTIĆ
Narodni muzej, Aranđelovac
tanja.vicentic@gmail.com
TRANSFORMACIJA KERAMIČKE SLIKE*
THE TRANSFORMATION OF CERAMIC PAINTING
Zbornik 19/2023 (Muzej primenjene umetnosti), strana 41-52
Kategorija članka: originalni naučni rad
UDK:
738(497.11)"19/20"
069.51:738(497.11)
Apstrakt:
Narodni muzej u Aranđelovcu baštini dragocenu Zbirku savremene umetničke keramike, koja je formirana delatnošću međunarodnog Simpozijuma Svet keramike. Prilikom realizacije izložbene postavke Transformacija ‘keramičke slike’ selektovana su dela iz muzejske kolekcije sa osnovnim ciljem da se upotpuni opšta analiza razvoja keramičke slike, počev od prvih panoa koji su izrađeni s potencijalno dekorativnom namenom, preko onih koji očitavaju modernističke i postmodernističke tendencije, do umetničkih instalacija nastalih u proteklih nekoliko godina. Cilj ovog rada jeste da ukaže na početke i moguće uzore, a zatim da se pomoću ekskluzivnog muzejskog materijala nastalog na Simpozijumu Svet keramike problematizuje postojanje, zastupljenost i transformacija keramičke slike u umetnosti na ovim prostorima od sedme decenije 20. veka do danas.
Ključne reči:
umetnička keramika, pano, keramička slika, zidna instalacija
Summary:
The National Museum in Arandjelovac has been bequeathed a valuable collection of contemporary artistic ceramics, formed due to the activities of the international World of Ceramics Symposium from 1974 until today. By means of this collection, we can follow the development of the Yugoslav/Serbian art scene, as well as the influence of foreign creative tendencies on the artistic ceramics practice in this region. The forming of this collection was influenced by numerous factors such as the general social, political and economic conditions in the country, although the role of the selectors was practically the most conclusive. During the implementation of the 2022 exhibition “Transformation of ceramic painting” by the National Museum in Arandjelovac in 2022, artworks were selected from the museum collection with the main goal of completing the general analysis of the ceramic painting development, starting with the first panels that were made with a potentially decorative purpose to those that contain modernist and postmodernist tendencies and finally, to the installation artworks created during the past few years. The aim of this work is to point out the beginnings and possible role models and then to present the existence, representation and transformation of ceramic painting in the art in this region from the seventh decade of the 20th century by using exclusive museum material created at the World of Ceramics Symposium. The transformation has been occurring gradually, by means of expanding the conventional boundaries of the ceramic material to the including of new ones, and the application of different methodological approaches which have given art objects numerous new meanings.
Translated by the author
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