VANJA KOSANIĆ
Nezavisna istraživačica, Beograd, Srbija
kosanicvanja@gmail.com
STVARALAŠTVO MODNOG DIZAJNERA MILORADA MIKIJA IGNJIĆA (1942–2017)
THE WORK OF FASHION DESIGNER MILORAD MIKI IGNJIĆ (1942–2017)
Zbornik 19/2023 (Muzej primenjene umetnosti), strana 20-29
Kategorija članka: originalni naučni rad
UDK:
7.05.071.1 Игњић М.
Apstrakt:
Tema rada jeste stvaralaštvo modnog dizajnera Milorada Mikija Ignjića (1942–2017), koji je u periodu od sredine šezdesetih do sredine devedesetih godina HH veka ostvario izuzetan uspeh pre svega kao kreator aksesoara. Cilj rada je da se prvi put prikaže opus Milorada Ignjića, čije je ime do sada bilo poznato samo stručnoj javnosti, a čiji je doprinos razvoju i uspehu jugoslovenske modne industrije na svetskom tržištu u pomenutom periodu bio značajan. Ignjićeva karijera započela je na studijama arhitekture, potom se sticajem okolnosti preusmerila na filmsku i pozorišnu kostimografiju (gde je jedno vreme bio i asistent kostimografa u Narodnom pozorištu u Beogradu), a nakon poznanstva sa modnim kreatorom Aleksandrom Joksimovićem na modni dizajn. Ona pokazuje istovremeno i put jednog kreatora kroz sve oblasti modnog dizajna: od kreiranja radnih uniformi, ženskih, muških i dečjih kolekcija odeće, trikotaže, do dizajniranja muških i ženskih tašni i putnih torbi. Istraživanje njegovog rada omogućeno je zahvaljujući zaostavštini Mikija Ignjića koja se čuva u Muzeju primenjene umetnosti u Beogradu, a u kojoj se između ostalog nalaze izvedeni primerci aksesoara, nagrade, fotografije realizovanih modela, modne ilustracije...
Ključne reči:
aksesoar, Aleksandar Joksimović, Nacionalni salon, Milorad Miki Ignjić, modni dizajn, Centrotekstil
Summary:
The subject of this paper is the work of fashion designer Milorad Miki Ignjić (1942 - 2017), who in the period from the mid-sixties to the mid-nineties of the 20th century achieved extraordinary success, primarily as a designer of accessories. The aim of this work is to show, for the first time, the entire work of Milorad Ignjić, whose name was known, until now, only among experts, and whose contribution to the development and success of the Yugoslav fashion industry on the world market, in the mentioned period, was significant. Ignjić’s career began with architecture studies but then, due to circumstances, he started to create film and theater costumes (for a while he was an assistant costume designer at the National Theater in Belgrade) and after his encounter with the fashion designer Aleksandar Joksimović, he started to work in fashion design. At the same time, his career shows the path of a designer through all areas of fashion design: from the creation of work uniforms, women’s, men’s and children’s clothing collections, knitwear, to the design of men’s and women’s handbags and travel bags. In this work we tried to represent Ignjić’s entire creativity in fashion design from haute couture as, in his words, the essence of artistic expression, from which then arise the variations for the textile industry and ready-made clothing, the fields in which he also worked in. We tried to define the basic characteristics of his style in creating accessories, but also in fashion illustration as an important part of his work. The variety of his work opens the possibility for further researches of the individual parts of Ignjić’s fashion design.
Translated by the author
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